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Gateway’s Sink or Swim hopes to sink into our hearts

Published 4:53 PST, Tue November 14, 2017
Last Updated: 2:12 PDT, Wed May 12, 2021
Beverley Elliott is an integral part of our
community arts scene, from her one-woman show at Gateway Theatre starting
Friday Nov. 17 to her role as Granny in Once Upon a Time to her work as Barn
Dance Bev at the Richmond Country Farms’ Pumpkin Patch every October.
In her upcoming show, Sink or Swim, the
second offering in this year’s Gateway season, Elliott tells with word and song
of her days as a five- and six-year old when she left her home with her mom on
the farm to go, all day, to a one-room school house with “big Grade 8 bullies.”
Or as, Elliot describes it, Little House on the Prairie meets Lord of the
Flies.
“It’s not a story of abuse and all that. It’s
more a story of realization, of realizing that you have to have a tough skin,
coming fresh out of the house at five.”
And there’s lots of humour too.
InSink or Swim, Elliott looks back at her
Grade 1 self and asks, “Why did I eat the fish food?” The play alternates
between the shock of life in the big world of a one-room school house, and the
wonder-filled humour of a child’s adaptation to the life outside her sheltered
home life.
“My show is my story. Everybody has a story.
Everybody had a coming of age, where you switch from one form of childhood to
another. In my case, that happens to be between ages of five and six years old.”
A story well-told, true to place, has
universal appeal. While we may not have grown up on a farm in rural Ontario, we’ve
all had to deal with bullies. We’ve all had chances to have our eyes opened to
the promise of the greater world outside our comfort zone.
Elliott describes it as a time of, “Crystal
clear memory; the smells and sounds and moments of this time between five and
six years old.” Yet, Elliot saysSink or Swimis a play for adults. “I don’t
play five years old. I just tell it from a place of wonder.”
Speaking of the origins ofSink or Swim,
Elliott says, “I was in a writing group of women, Wet Ink Collective. They’re
theatre actresses from the community. Women write a small percentage of plays.
There are lot of stories written by men. So we started this writing group to
encourage women to write their stories, as a place to come and write. I did
workshops with them for about five years, writing stories and hearing stories.
I don’t write a play in the traditional way am a storyteller.”
Sometimes, often times, women says they are
more hindered by a lack of confidence than a lack of skill. Even someone as
accomplished and capable at her craft as Elliott, needed encouragement to take
her play further.
“I just went and wrote these stories and read
them aloud to the women. Seeing the laughter hearing the tears and so on, gave
me the encouragement and the permission to go forward,” she says.
“I got up at The Flame, a storytelling event,
and told the story. it’s heart-felt. It has a real twist at the end. People
teared up because, as they said, ‘I didn’t see that one coming.”
Now, with a previous work, didn’t see that
coming, under her belt, says Elliott, “This
is my second time that Gateway is hosting my original work of stories and
songs. I am so thrilled, honoured, and grateful to Gateway.”
Bill Costin, as musical director ofSink or Swim, co-wrote some of the song and plays the piano for this cabaret-style
offering of 75 minutes.
“It is a coming of age of young child in a
rural community which taps into children’s stories for adults,” says Elliott
“A magical thing about theatre is it makes us
one.”
Sink or Swimruns Nov 16 – 25 at Gateway
Theatre. For tickets or information cut and paste: gatewaytheatre.com/sinkorswim